A Lantern View from The Ruwenzori Mountain Range

Between Science Communication, Travel Story, and Colonial Propaganda in an Illustrated Lecture Performance from 1932

Authors

DOI:

https://doi.org/10.55283/jhk.13616

Keywords:

Magic lantern lecture , colonialism , Ruwenzori expedition, Visual communication, Belgian colonial history

Abstract

This article explores the role of magic lantern performances in Belgian colonial history, and their impact on broader discussions on science communication and colonial representations. It centers on a lantern lecture that recounted a scientific expedition to the Ruwenzori mountain range in the Belgian Congo in 1932, extensively illustrated with photographic slides. Our analysis focuses on the performative strategies employed by Ganshof Van der Meersch, the lecturer, to frame his scientific discourse on the Ruwenzori mission. Drawing on visual tropes and the narrative structures of an adventurous travel story, he emphasizes the hardships and heroism of the expedition members. While the scientific aspects of the mission are highlighted, the lecture predominantly portrays the scientific process and the heroic endeavors of the members, rather than delving into the region’s fauna and flora. This narrative reinforces Western superiority over the colonized territory and its inhabitants, aligning with imperialist agendas. Enhanced by captivating visuals, the lecture strategically evokes emotional engagement to solicit financial support. By examining these dynamics, the article unveils the underlying mechanisms behind science communication in service of colonial endeavors. In the broader context of colonial studies and the history of science and knowledge, this analysis contributes to understanding of how performance-based science communication was used to advance the colonial agenda.

Author Biographies

  • Marte Van Hassel, Université libre de Bruxelles

    Marte Van Hassel holds a master’s degree in art history and performance  studies from Ghent University and conducted research at ULB Brussels as  part of the EOS project B-magic from 2018 to 2022 (www.B-magic.eu). Her  research focused on colonial imagery using the magic lantern.

  • Nele Wynants, University of Antwerp

    Nele Wynants is research assistant professor at the University of Antwerp’s Research Institute for the Arts (ARIA) where she coordinates the Arts & Media Archaeology team. She leads the EU-funded project ‘Science at the Fair: Performing Knowledge and Technology in Western Europe, 1850–1914’ 
    (www.scifair.eu), is series editor of Media Performance Histories (Brepols) and editor-in-chief of FORUM+ for research and arts.

  • Karel Vanhaesebrouck, Université libre de Bruxelles

    Karel Vanhaesebrouck is theatre and performance studies professor at ULB and teaches on theatre history, performance theory, and dramaturgy. He published widely on baroque theatre, cultural representation history, (circus) dramaturgy, and Flemish performing arts. Vanhaesebrouck co-authored “Marketing violence” with Cambridge University Press and initiated ULB’s Game*Play video game workshop.

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Published

2024-09-18

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Section

Research Articles