2022 Special Issue
Edited by Déborah Dubald and Catarina Madruga
Image: Dupressoir (lithography) and Rugendas (illustration), "Valparaiso", in Claudio Gay Historia física y politica de Chile, 1845-54. Credits : Muséum national d’Histoire naturelle.
This engraving from Claude Gay's Historia de Chile, which is discussed in the article of Daniela Serra, is a striking example of the romanticised perceptions of fieldwork that are discussed in this special issue.